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CMW Guest Author

Dealing with the now and preparing for the future

ICC Sydney CEO Geoff Donaghy says we must keep one eye on the future, and make sure we're ready for the end of the COVID-19 crisis.

Coping with the Covid-19 challenge

Jason Megson, Managing Director VP at George P. Johnson (GPJ) Experience Marketing UK, on how his business is adapting to the coronavirus crisis.

Prague – a quiet revolution

Thirty years on from the Velvet Revolution, Simon George visits Prague to find a quiet MICE revolution a work in progress.

Do you know where you’re going to?

Mash Media MD Julian Agostini underlines the power of exhibitions to deliver inspiration and says there will be plenty of that on show at ExCeL London this week with the arrival of International Confex 2020.

Going places?

Mash Media MD Julian Agostini calls time on those that are ‘tight’ with their events time.

Reporting from the Green Zone at COP25

William Thomson, MD Gallus Events, reports from The Green Zone exhibition area at the recent world Climate Change Conference COP25 in Madrid.

How to choose the right speaker for your event

Leo Von Bülow-Quirk says choosing a speaker is one of the most crucial parts of event planning, so it’s important to get it right.

Democratic hospitality

Vitali Vitaliev visits an old Scottish treasure and finds it offers a uniquely democratic kind of hospitality.

Embedding sustainability in corporate events

Cecilia Law, Senior Marketer at agency DRPG, says events businesses need to embed sustainable practices in their company culture to make any lasting impact.

How to cater for the hearing-impaired at your event

Duncan Collet-Fenson, Audiologist & MD of Aston Hearing, provides some tips on how to cater for the hearing-impaired at your next event.

Motivating a corporate culture

Global association for the incentives industry, SITE’s CEO Didier Scaillet explains why your corporate culture is important to the success of an incentive travel programme.

Screen time is up

Jason Anderson, Digital Director at agency Avantgarde London, looks to the future and wonders if the screen paradigm might be on the way out.